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| Control Room
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Brand: LION'S GATE ENTERTAINMENT
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Control room is a rate film that is both timely and timeless: timeless because it ecplores the ancient and complex relationship between the western and Arab worlds timely because it reveals how satellite television has changed the way wars are reported- from news providers driven by the patriotism of their audiences to army information officers driven by military objectives. Control room is a seminal documentary that explores how truth is gathered presented and ultimately created by those who deliver it.System Requirements: Running Time 86 MinFormat: DVD MOVIE Genre: DOCUMENTARIES/MISC. Rating: NR UPC: 031398169321 Manufacturer No: 16932
Startling and powerful, Control Room is a documentary about the Arab television network Al-Jazeera's coverage of the U.S.-led Iraqi war, and conflicts that arose in managed perceptions of truth between that news media outlet and the American military. Egyptian-American filmmaker Jehane Noujaim (Startup.com) catches the frantic action at Al-Jazeera headquarters as President Bush stipulates his 48-hour, get-out-of-town warning to Saddam Hussein and sons, soon followed by the network's shocking footage of Iraqi civilians terrorized and killed by invading U.S. troops. Al-Jazeera's determination to show images and report details outside the Pentagon's carefully controlled information flow draws the wrath of American officials, who accuse it of being an al-Qaida propagandist. (The killing of an Al-Jazeera reporter in what appears to be a deliberately targeted air strike is horrifying.) Most fascinating is the way Control Room allows well-meaning, Western-educated, pro-democratic Arabs an opportunity to express views on Iraq as they see it--in an international context, and in a way most Americans never hear about. --Tom Keogh
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| Cairo Station
List price: $24.99
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Youssef Chahine's masterpiece. A street level expose of sexual obsession and working class madness that s as grimy and claustrophobic as its Cairo railway station setting. From its noirish opening scene, in which a scruffy newspaper hawker discovers a rag strewn living quarters filled with cutout girlie pictures and intones, I knew then that something was desperately wrong, it s clear that the film has departed from the upper class realms of typical 1950s Arab cinema. Chahine moves his camera as fluidly as a sleepwalker through a nightmarish world where, as luggage porters strive to unionize and all sections of society swarm along the tracks, the crippled street vendor Qinawi (played by Chahine himself) feverishly desires a brash, beautiful and utterly uninterested lemonade seller, with dangerous results. Combining Italian neo-realism, Egyptian romanticism and overheated film noir, Cairo Station was unlike anything anyone had seen on movie screens before.
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| Alexandria...Why?
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Set in the Egypt during and after World War II, Youssef Chahine's autobiographical drama of his youth in Cairo is a bright, bustling mosaic of a country embroiled in conflict and struggling with its identity. Centered on the story of high school student Yehia Mourad (Mohsen Mohiedine), Chahine's cinematic alter ego, it's national history through a personal perspective and the first film autobiography ever in Egyptian cinema. As the strains of nationalism set Arabs against British soldiers, political factions against one another, and races and cultures at odds, Yehia escapes through theater and the movies, dreaming of Hollywood as he stages his own plays and theatrical reviews until he's swept up in student activism. No stranger to challenging conventions and taboos, Chahine features an interfaith romance between a Jewish woman and a Muslim activist and a homosexual relationship between Yehia's wealthy uncle and a young British soldier among his many stories. In fact, he packs the film so full that the colors threaten to bleed together, but Chahine masterfully keeps the film coherent and clear while driving it forward at a racing pace. The action at times abruptly jumps from one thread to another, as if matching Yehia's torn loyalties between art and political action, but the tonal shifts only add another layer of richness to the passion Chahine has lavished on this film. It won the Special Jury Prize at Berlin in 1979 (Chahine's first major festival prize), and was followed by two other autobiographical films, An Egyptian Story and Alexandria Again and Forever, which became known as the Alexandria Trilogy. --Sean Axmaker
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| The Art of Flight - Director's Cut
List price: $12.99
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The Art Of Flight is a guerrilla documentary that was shot illegally in Egypt on camcorders and a laptop. The film serves as a back story to the 2006 massacre of Sudanese refugees in Cairo. The filmmaker was nearly arrested three times during the course of shooting. This feature length film tells the story of three people, a refugee from southern Sudan, a human rights activist from northern Sudan and an American journalist in self-imposed exile, all living in Cairo. For very different reasons, the trio has found themselves struggling to survive in Egypt, a U.S. financed dictatorship which has reluctantly become their home.
The Art Of Flight features artwork of Sudanese painters living in exile. In addition to paintings from Sudanese artists and torture victims, the film also features an original soundtrack by Al-Khafiyeen, a musical ensemble of refugees who played together for a single night to score the film. The film delves deep into questions about the nature of charity, the consequences of American empire and the price of silence.
Original Motion Picture Soundtrack Available on ITunes, eMusic, Rhapsody, Amazon.com (CD), CustomFlix.com (CD) This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.
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| Closed Doors, The
List price: $24.99
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Directed by Youssef Chahines longtime assistant, The Closed Doors touches on several taboos in contemporary Egyptian society, examining their social and political implications.
Set during the Gulf War, it tells the story of Mohamad, a highly impressionable young man who embraces fundamentalist ideas as a way of dealing with the confusion of adolescence and sexual awakening.
This powerful first feature by one of Egypt s most promising young directors tackles complex themes like oppression, jealousy, virtue, the love ideal and violence in an uncompromising way.
In Arabic with English Subtitles.
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| Afrita Hanem (The Genie Lady)
List price: $19.99
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Meet Asfour (Farid Al Atrache), a poor singer/actor who stumbles upon a magic lamp and its wish-granting genie (Samia Gamal). When he uses his new-found power to woo his gold-digging girlfriend away from her rich suitor, Asfour discovers that his genie has a few wishes of her own. Sure to delight and entertain, this classic film stars two of Egypt's cinematic legends in an innovative and endearing blend of comedy, fantasy and musical genres. DVD EXTRAS include English and French subtitles, rare original trailer and filmographies.
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| Fatma
List price: $19.99
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The legendary diva Umm Kulthum stars in this classic film about a poor nurse who falls in love with the son of one of her wealthy patients. Abandoned by her husband while pregnant, she must fight her husband's wealthy and powerful family in court. A rare treat, this film features nine of Umm Kulthum's most famous songs by composers Mohamed Al Asabgui and Riad Al Sunbati. DVD EXTRAS include English and French subtitles, scene access and filmographies.
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| The Nightingale's Prayer
List price: $19.99
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| Kimstim Collection: Emigrant
List price: $29.95
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Studio: Kino International Release Date: 05/10/2005
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| Alexandria Again and Forever
List price: $24.98
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The last film in Youssef Chahine's autobiographical Alexandria Trilogy stars Chahine himself as his cinematic alter ego, Yehia Mourad, completing his merging of fiction with real life and drama with psychodrama. Opening with Chahine's triumph at the Berlin Film Festival, where he took home the Silver Bear for Alexandria...Why? (the first film in the trilogy--this is layered stuff), the film explores Yehia's obsession with his young star, Amir, while participating in the general strike of 1987. As Yehia fantasizes about the films they would make together (one of them looks like a loony take on Jesus Christ Superstar), he elevates Amir from a kind of adopted son to cinematic messiah. But while caught up in the strike, Yehia becomes enchanted by a former actress turned dedicated revolutionary, and he decides to cast her in his next feature. While this is a serious portrait of art, politics, and aesthetic inspiration, it's also a deliriously playful film full of fantasies played out like Hollywood movies. One of the loveliest moments is an old-fashioned song and dance in which the two men celebrate their Silver Bear in a snowy German street like a scene out of Singing in the Rain, while his grand daydream of an ancient Egyptian historical epic takes an unexpected turn into Keystone Cop slapstick. The mix of whimsy and wizened reflection is infectious in Chahine's exploration of the muses and visions that drive his art. --Sean Axmaker
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