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| The Hurt Locker
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Brand: Universal
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War is a drug. Nobody knows that better than Staff Sergeant James, head of an elite squad of soldiers tasked with disarming bombs in the heat of combat. To do this nerve-shredding job, it’s not enough to be the best: you have to thrive in a zone where the margin of error is zero, think as diabolically as a bomb-maker, and somehow survive with your body and soul intact. Powerfully realistic, action-packed, unrelenting and intense, The Hurt Locker has been hailed by critics as “an adrenaline-soaked tour de force” (A.O. Scott, The New York Times) and “one of the great war movies.” (Richard Corliss, Time)
The making of honest action movies has become so rare that Kathryn Bigelow's magnificent The Hurt Locker was shown mostly in art cinemas rather than multiplexes. That's fine; the picture is a work of art. But it also delivers more kinetic excitement, more breath-bating suspense, more putting-you-right-there in the danger zone than all the brain-dead, visually incoherent wrecking derbies hogging mall screens. Partly it's a matter of subject. The movie focuses on an Explosive Ordnance Disposal team, the guys whose more or less daily job is to disarm the homemade bombs that have accounted for most U.S. casualties in Iraq. But even more, the film's extraordinary tension derives from the precision and intelligence of Bigelow's direction. She gets every sweaty detail and tactical nuance in the close-up confrontation of man and bomb, while keeping us alert to the volatile wraparound reality of an ineluctably foreign environment--hot streets and blank-walled buildings full of onlookers, some merely curious and some hostile, perhaps thumbing a cellphone that could become a trigger. This is exemplary moviemaking. You don't need CGI, just a human eye, and the imagination to realize that, say, the sight of dust and scale popped off a derelict car by an explosion half a block away delivers more shock value than a pixelated fireball. The setting may be Iraq in 2004, but it could just as well be Thermopylae; The Hurt Locker is no "Iraq War movie." Bigelow and screenwriter Mark Boal--who did time as a journalist embed with an EOD unit--align themselves with neither supporters nor opponents of the U.S. involvement. There's no politics here. War is just the job the characters in the movie do. One in particular, the supremely resourceful staff sergeant played by Jeremy Renner, is addicted to the almost nonstop adrenaline rush and the opportunity to express his esoteric, life-on-the-edge genius. The hurt locker of the title is a box he keeps under his bunk, filled with bomb parts and other signatory memorabilia of "things that could have killed me." That none of it has killed him so far is no real consolation. In this movie, you never know who's going to go and when; even high-profile talent (we won't name names here) is no guarantee. But one thing can be guaranteed, and that is that almost every sequence in the movie becomes a riveting, often fiercely enigmatic set piece. This is Kathryn Bigelow's best film since 1987's Near Dark. It could also be the best film of 2009. --Richard T. Jameson
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| The Hurt Locker [Blu-ray]
List price: $34.99
Lowest new price: $21.95
Lowest used price: $23.99
Brand: Universal
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Studio: Uni Dist Corp. (summit) Release Date: 01/12/2010 Run time: 131 minutes Rating: R
The making of honest action movies has become so rare that Kathryn Bigelow's magnificent The Hurt Locker was shown mostly in art cinemas rather than multiplexes. That's fine; the picture is a work of art. But it also delivers more kinetic excitement, more breath-bating suspense, more putting-you-right-there in the danger zone than all the brain-dead, visually incoherent wrecking derbies hogging mall screens. Partly it's a matter of subject. The movie focuses on an Explosive Ordnance Disposal team, the guys whose more or less daily job is to disarm the homemade bombs that have accounted for most U.S. casualties in Iraq. But even more, the film's extraordinary tension derives from the precision and intelligence of Bigelow's direction. She gets every sweaty detail and tactical nuance in the close-up confrontation of man and bomb, while keeping us alert to the volatile wraparound reality of an ineluctably foreign environment--hot streets and blank-walled buildings full of onlookers, some merely curious and some hostile, perhaps thumbing a cellphone that could become a trigger. This is exemplary moviemaking. You don't need CGI, just a human eye, and the imagination to realize that, say, the sight of dust and scale popped off a derelict car by an explosion half a block away delivers more shock value than a pixelated fireball. The setting may be Iraq in 2004, but it could just as well be Thermopylae; The Hurt Locker is no "Iraq War movie." Bigelow and screenwriter Mark Boal--who did time as a journalist embed with an EOD unit--align themselves with neither supporters nor opponents of the U.S. involvement. There's no politics here. War is just the job the characters in the movie do. One in particular, the supremely resourceful staff sergeant played by Jeremy Renner, is addicted to the almost nonstop adrenaline rush and the opportunity to express his esoteric, life-on-the-edge genius. The hurt locker of the title is a box he keeps under his bunk, filled with bomb parts and other signatory memorabilia of "things that could have killed me." That none of it has killed him so far is no real consolation. In this movie, you never know who's going to go and when; even high-profile talent (we won't name names here) is no guarantee. But one thing can be guaranteed, and that is that almost every sequence in the movie becomes a riveting, often fiercely enigmatic set piece. This is Kathryn Bigelow's best film since 1987's Near Dark. It could also be the best film of 2009. --Richard T. Jameson
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| Inglourious Basterds (Single-Disc Edition)
List price: $29.98
Lowest new price: $11.25
Lowest used price: $8.00
Brand: UNI DIST CORP. (MCA)
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Brad Pitt takes no prisoners in Quentin Tarantino’s high-octane WWII revenge fantasy Inglourious Basterds. As war rages in Europe, a Nazi-scalping squad of American soldiers, known to their enemy as “The Basterds,” is on a daring mission to take down the leaders of the Third Reich. Bursting with “action, hair-trigger suspense and a machine-gun spray of killer dialogue” (Peter Travers, Rolling Stone), Inglourious Basterds is “another Tarantino masterpiece” (Jake Hamilton, CBS-TV)!
Although Quentin Tarantino has cherished Enzo G. Castellari's 1978 "macaroni" war flick The Inglorious Bastards for most of his film-geek life, his own Inglourious Basterds is no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There's a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol' boy named Aldo Raine (Brad Pitt) who reckons each warrior owes him one hundred Nazi scalps--and he means that literally. Even as Raine's band strikes terror into the Nazi occupiers of France, a diabolically smart and self-assured German officer named Landa (Christoph Waltz) is busy validating his own legend as "The Jew Hunter." Along the way, he wipes out the rural family of a grave young girl (Melanie Laurent) who will reappear years later in Paris, dreaming of vengeance on an epic scale. Now, this isn't one more big-screen comic book. As the masterly opening sequence reaffirms, Tarantino is a true filmmaker, with a deep respect for the integrity of screen space and the tension that can accumulate in contemplating two men seated at a table having a polite conversation. IB reunites QT with cinematographer Robert Richardson (who shot Kill Bill), and the colors and textures they serve up can be riveting, from the eerie red-hot glow of a tabletop in Adolf Hitler's den, to the creamy swirl of a Parisian pastry in which Landa parks his cigarette. The action has been divided, Pulp Fiction-like, into five chapters, each featuring at least one spellbinding set-piece. It's testimony to the integrity we mentioned that Tarantino can lock in the ferocious suspense of a scene for minutes on end, then explode the situation almost faster than the eye and ear can register, and then take the rest of the sequence to a new, wholly unanticipated level within seconds. Again, be warned: This is not your "Greatest Generation," Saving Private Ryan WWII. The sadism of Raine and his boys can be as unsavory as the Nazi variety; Tarantino's latest cinematic protégé, Eli (director of Hostel) Roth, is aptly cast as a self-styled "golem" fond of pulping Nazis with a baseball bat. But get past that, and the sometimes disconcerting shifts to another location and another set of characters, and the movie should gather you up like a growing floodtide. Tarantino told the Cannes Film Festival audience that he wanted to show "Adolf Hitler defeated by cinema." Cinema wins. --Richard T. Jameson
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| Inglourious Basterds (2-Disc Special Edition) [Blu-ray]
List price: $39.98
Lowest new price: $19.98
Lowest used price: $14.99
Brand: Universal Pictures
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Brad Pitt takes no prisoners in Quentin Tarantino’s high-octane WWII revenge fantasy Inglourious Basterds. As war rages in Europe, a Nazi-scalping squad of American soldiers, known to their enemy as “The Basterds,” is on a daring mission to take down the leaders of the Third Reich. Bursting with “action, hair-trigger suspense and a machine-gun spray of killer dialogue” (Peter Travers, Rolling Stone), Inglourious Basterds is “another Tarantino masterpiece” (Jake Hamilton, CBS-TV)!
Although Quentin Tarantino has cherished Enzo G. Castellari's 1978 "macaroni" war flick The Inglorious Bastards for most of his film-geek life, his own Inglourious Basterds is no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There's a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol' boy named Aldo Raine (Brad Pitt) who reckons each warrior owes him one hundred Nazi scalps--and he means that literally. Even as Raine's band strikes terror into the Nazi occupiers of France, a diabolically smart and self-assured German officer named Landa (Christoph Waltz) is busy validating his own legend as "The Jew Hunter." Along the way, he wipes out the rural family of a grave young girl (Melanie Laurent) who will reappear years later in Paris, dreaming of vengeance on an epic scale. Now, this isn't one more big-screen comic book. As the masterly opening sequence reaffirms, Tarantino is a true filmmaker, with a deep respect for the integrity of screen space and the tension that can accumulate in contemplating two men seated at a table having a polite conversation. IB reunites QT with cinematographer Robert Richardson (who shot Kill Bill), and the colors and textures they serve up can be riveting, from the eerie red-hot glow of a tabletop in Adolf Hitler's den, to the creamy swirl of a Parisian pastry in which Landa parks his cigarette. The action has been divided, Pulp Fiction-like, into five chapters, each featuring at least one spellbinding set-piece. It's testimony to the integrity we mentioned that Tarantino can lock in the ferocious suspense of a scene for minutes on end, then explode the situation almost faster than the eye and ear can register, and then take the rest of the sequence to a new, wholly unanticipated level within seconds. Again, be warned: This is not your "Greatest Generation," Saving Private Ryan WWII. The sadism of Raine and his boys can be as unsavory as the Nazi variety; Tarantino's latest cinematic protégé, Eli (director of Hostel) Roth, is aptly cast as a self-styled "golem" fond of pulping Nazis with a baseball bat. But get past that, and the sometimes disconcerting shifts to another location and another set of characters, and the movie should gather you up like a growing floodtide. Tarantino told the Cannes Film Festival audience that he wanted to show "Adolf Hitler defeated by cinema." Cinema wins. --Richard T. Jameson
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| WWII in HD [Blu-ray]
List price: $39.95
Lowest new price: $26.73
Lowest used price: $26.70
Brand: A&E HOME VIDEO
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The only people to see the war like this were the ones who lived it. Until now…
Seventy years in the making. Three thousand hours of color footage no one knew existed. The first documentary to show World War II from the perspective of both sides in full, immersive HD color, the world premiere HISTORY series WWII in HD uses the diaries of soldiers who fought in the war’s biggest battles to create a personal, introspective and detailed look at life on and off the front lines. Though it was illegal for U.S. soldiers to carry diaries, many hid them away in their packs and recorded their experiences in detail.
Now, through the use of these diaries and other source documents, as well as HD color and on-location shooting around the world, WWII in HD transforms their journey into a tangible piece of history. Culled from rare color archival footage from an exhaustive worldwide search and converted to HD with meticulous technique, WWII in HD provides a picture of World War II as it has never been seen before.
Product Alert: WWII in HD [Blu-ray] is known to have a problem playing on blu-ray players with outdated firmware. Make sure that your blu-ray player's firmware is up to date prior to playing this product. Visit www.amazon.com/firmware for more information on how to update your blu-ray player's firmware.
At first glance, the very concept of WWII in HD seems like an oxymoron. After all, isn't the footage from back then nothing more than grainy black-and-white newsreel? And really, how much definition can be added to film that was shot more than 60 years ago? The answers: no, and quite a lot, actually. The quality of much of what is seen in the course of these 10 episodes (each around 45 minutes long) is surprisingly good. Add to that the fact that most of it is in color (not colorized, but originally recorded in that medium, some at the behest of the United States government), and the result is nothing short of astonishing. It's not easy viewing; there are sequences that are shockingly graphic (vivid examples include the carnage on view after major battles and the shots of Japanese civilians on the Pacific island of Saipan hurling themselves off cliffs to avoid capture by American troops). But all of it has been put to good use in what is undoubtedly one of the most compelling accounts of World War II ever produced. Other documentaries have chronicled the same events seen here, from the earliest days of the war (when Hitler was overrunning Europe and the ill-prepared Americans were still years away from becoming involved), through Pearl Harbor, the major confrontations with the Japanese in the Pacific theater (like Guadalcanal, Tarawa, the Battle of the Philippine Sea, and the incomparably bloody Iwo Jima) and with the Germans in Europe and North Africa (the invasion of Tunisia, D-day, the Battle of the Bulge), and straight on to victory in Europe and finally the Japanese surrender after Hiroshima and Nagasaki. But what separates WWII in HD is the filmmakers' decision to view these events through the experiences of a dozen individuals who were actually there, including a couple of war correspondents (one of whom, Richard Tregaskis, was the author of the seminal Guadalcanal Diary); an Austrian immigrant who escaped the Nazis and almost immediately enlisted in the U.S. Army; a nurse with General George Patton's Third Army; an African-American pilot who was one of the famed Tuskegee Airmen; a Japanese-American medic who fought heroically while his family was held in an internment camp; and others from the rank and file. All of them are voiced by such actors as Rob Lowe, Amy Smart, Steve Zahn, Josh Lucas, and LL Cool J; and with Gary Sinise providing voice-over narration, the whole piece comes off as a dramatic film as much as a straight documentary (an effect also enhanced by some brilliantly creative juxtapositions of words, images, and music). Not all of these men and women made it through the war (those still alive also appear in on-camera interviews), but none could ever forget the horrors they witnessed, and while those of us who did not serve will never really comprehend the sacrifices they made, this remarkable program may be as close as we can get. --Sam Graham
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| WWII in HD
List price: $29.95
Lowest new price: $17.75
Lowest used price: $29.37
Brand: A&E HOME VIDEO
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The only people to see the war like this were the ones who lived it. Until now…
Seventy years in the making. Three thousand hours of color footage no one knew existed. The first documentary to show World War II from the perspective of both sides in full, immersive HD color, the world premiere HISTORY series WWII in HD uses the diaries of soldiers who fought in the war’s biggest battles to create a personal, introspective and detailed look at life on and off the front lines. Though it was illegal for U.S. soldiers to carry diaries, many hid them away in their packs and recorded their experiences in detail.
Now, through the use of these diaries and other source documents, as well as HD color and on-location shooting around the world, WWII in HD transforms their journey into a tangible piece of history. Culled from rare color archival footage from an exhaustive worldwide search and converted to HD with meticulous technique, WWII in HD provides a picture of World War II as it has never been seen before.
At first glance, the very concept of WWII in HD seems like an oxymoron. After all, isn't the footage from back then nothing more than grainy black-and-white newsreel? And really, how much definition can be added to film that was shot more than 60 years ago? The answers: no, and quite a lot, actually. The quality of much of what is seen in the course of these 10 episodes (each around 45 minutes long) is surprisingly good. Add to that the fact that most of it is in color (not colorized, but originally recorded in that medium, some at the behest of the United States government), and the result is nothing short of astonishing. It's not easy viewing; there are sequences that are shockingly graphic (vivid examples include the carnage on view after major battles and the shots of Japanese civilians on the Pacific island of Saipan hurling themselves off cliffs to avoid capture by American troops). But all of it has been put to good use in what is undoubtedly one of the most compelling accounts of World War II ever produced. Other documentaries have chronicled the same events seen here, from the earliest days of the war (when Hitler was overrunning Europe and the ill-prepared Americans were still years away from becoming involved), through Pearl Harbor, the major confrontations with the Japanese in the Pacific theater (like Guadalcanal, Tarawa, the Battle of the Philippine Sea, and the incomparably bloody Iwo Jima) and with the Germans in Europe and North Africa (the invasion of Tunisia, D-day, the Battle of the Bulge), and straight on to victory in Europe and finally the Japanese surrender after Hiroshima and Nagasaki. But what separates WWII in HD is the filmmakers' decision to view these events through the experiences of a dozen individuals who were actually there, including a couple of war correspondents (one of whom, Richard Tregaskis, was the author of the seminal Guadalcanal Diary); an Austrian immigrant who escaped the Nazis and almost immediately enlisted in the U.S. Army; a nurse with General George Patton's Third Army; an African-American pilot who was one of the famed Tuskegee Airmen; a Japanese-American medic who fought heroically while his family was held in an internment camp; and others from the rank and file. All of them are voiced by such actors as Rob Lowe, Amy Smart, Steve Zahn, Josh Lucas, and LL Cool J; and with Gary Sinise providing voice-over narration, the whole piece comes off as a dramatic film as much as a straight documentary (an effect also enhanced by some brilliantly creative juxtapositions of words, images, and music). Not all of these men and women made it through the war (those still alive also appear in on-camera interviews), but none could ever forget the horrors they witnessed, and while those of us who did not serve will never really comprehend the sacrifices they made, this remarkable program may be as close as we can get. --Sam Graham
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| Band of Brothers
List price: $79.98
Lowest new price: $43.99
Lowest used price: $29.94
Brand: EMI
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Based on the bestseller by Stephen E. Ambrose, the epic 10-part miniseries Band of Brothers tells the story of Easy Company, 506th Regiment of the 101st Airborne Division, U.S. Army. Drawn from interviews with survivors of Easy Company, as well as soldiers' journals and letters, Band of Brothers chronicles the experiences of these men who knew extraordinary bravery and extraordinary fear. They were an elete rifle company parachuting into France early on D-Day morning, fighting in the Battle of the Bulge and capturing Hitler's Eagle's Nest at Berchtesgaden. They were also a unit that suffered 150 percent casualties, and whose lives became legend.
An impressively rigorous, unsentimental, and harrowing look at combat during World War II, Band of Brothers follows a company of airborne infantry--Easy Company--from boot camp through the end of the war. The brutality of training takes the audience by increments to the even greater brutality of the war; Easy Company took part in some of the most difficult battles, including the D-Day invasion of Normandy, the failed invasion of Holland, and the Battle of the Bulge, as well as the liberation of a concentration camp and the capture of Hitler's Eagle's Nest. But what makes these episodes work is not their historical sweep but their emphasis on riveting details (such as the rattle of a plane as the paratroopers wait to leap, or a flower in the buttonhole of a German soldier) and procedures (from military tactics to the workings of bureaucratic hierarchies). The scope of this miniseries (10 episodes, plus an actual documentary filled with interviews with surviving veterans) allows not only a thoroughness impossible in a two-hour movie, but also captures the wide range of responses to the stress and trauma of war--fear, cynicism, cruelty, compassion, and all-encompassing confusion. The result is a realism that makes both simplistic judgments and jingoistic enthusiasm impossible; the things these soldiers had to do are both terrible and understandable, and the psychological price they paid is made clear. The writing, directing, and acting are superb throughout. The cast is largely unknown, emphasizing the team of actors as a whole unit, much like the regiment; Damian Lewis and Ron Livingston play the central roles of two officers with grit and intelligence. Band of Brothers turns a vast historical event into a series of potent personal experiences; it's a deeply engrossing and affecting accomplishment. --Bret Fetzer
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| The Men Who Stare At Goats
List price: $29.98
Lowest new price: $17.99
Brand: FOX Home Entertainment
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In this comedic look at real life events that are almost too bizarre to believe, reporter Bob Wilton (Ewan McGregor) discovers an experimental top-secret wing of the U.S. military called The New Earth Army, trained to change the ways wars are fought through New Age psychic power. In search of his next big story, Wilton tracks down Lyn Cassady (Academy Award® winner George Clooney), a shadowy figure who claims to be a member of this legion of “Warrior Monks” with unparalleled psychic powers who can read the enemy’s thoughts, pass through walls, and even kill a goat simply by staring at it.
Hard to define but easy to enjoy, The Men Who Stare at Goats is the preposterous yet more-true-than-not story of a small-town journalist named Bob Wilton (Ewan McGregor) who, trying to prove himself in Iraq, stumbles upon a man named Lyn Cassady (George Clooney) who claims to be a psychic spy for the U.S. Army. With dazzling cinematic efficiency, the movie bounces back and forth between the origins of the New Earth Army--a squad of American Jedi warriors--and Bob and Lyn wandering through war-torn Iraq, pursuing a mission that turns out to have been assigned by a vision. The movie shifts from giddy comedy to melancholy as a portrait of human pettiness, manifested in military paranoia and corporate greed, unfolds. The ending loses a bit of steam, but most of The Men Who Stare at Goats is a delight--unusual yet satisfying, funny and thoughtful in turns. Jeff Bridges plays--of course--the addled yet charismatic founder of the New Earth Army, while Kevin Spacey plays--of course--the weaselly, manipulative psychic spy who turns what was meant to transform the world for the better into a mechanism for propaganda and worse. Adapted from the bestselling nonfiction book of the same title by British journalist Jon Ronson, The Men Who Stare at Goats niftily balances surface lunacy with serious undercurrents, buoyed by excellent performances from all involved. --Bret Fetzer
Stills from The Men Who Stare At Goats (Click for larger image)
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| Brothers
List price: $29.95
Lowest new price: $19.99
Brand: Lions Gate Home Ent.
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Captain Sam Cahill (Maguire) is embarking on his fourth tour of duty, leaving behind his beloved wife (Portman) and two daughters. When Sam’s Blackhawk helicopter is shot down in the mountains of Afghanistan, the worst is presumed, leaving an enormous void in the family. Despite a dark history, Sam’s charismatic younger brother Tommy (Gyllenhaal) steps in to fill the family void.
Screenwriter David Benioff (The 25th Hour) didn't have to do much to relocate Brothers from Denmark to America. The story remains the same: Captain Sam Cahill (Tobey Maguire) loves his family, but he's equally devoted to his career. Just as his ne'er-do-well brother, Tommy (Jake Gyllenhaal), exits prison, where he did time for robbery, the Marines deploy Sam to Afghanistan. Tommy starts looking in on his wary sister-in-law, Grace (Natalie Portman), but then Sam's helicopter crashes in the mountains, and the military informs Grace that her husband has died. Unbeknownst to the Cahill clan, the Taliban has taken Sam hostage and tortures him to elicit information. Sam resists, but his colleague caves, leading to an unthinkable act. Back in New Mexico, Grace and Tommy grow closer, stopping just short of a full-blown affair (in Susanne Bier's original, they take the plunge). Even Tommy's disapproving Vietnam vet father, Hank (Sam Shepard), sees his son in a new light after Tommy renovates Grace's kitchen. But when Sam is rescued by his company, he returns a broken man and is convinced that his wife has fallen in love with his brother. Even his daughters are afraid of him (Bailee Madison impresses as the eldest). As in Bier's film, Jim Sheridan (In America) elevates redemption and forgiveness over tragedy and loss, and his well-meaning remake gets off to a solid start, but it loses steam by the end. Brothers offers a compelling scenario, but the telling is too overstated to capture the full heartbreak of the situation. --Kathleen C. Fennessy
Stills from Brothers (Click for larger image)
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| Casablanca [Blu-ray]
List price: $28.99
Lowest new price: $17.24
Lowest used price: $16.99
Brand: WARNER HOME VIDEO
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Casablanca: easy to enter, but much harder to leave, especially if you're wanted by the Nazis. Such a man is Resistance leader Victor Laszlo (Paul Henreid), whose only hope is Rick Blaine (Humphrey Bogart), a cynical American who sticks his neck out for no one - especially Victor's wife Ilsa (Ingrid Bergman), the ex-lover who broke his heart. Ilsa offers herself in exchange for Laszlo's transport out of the country and bitter Rick must decide what counts more - personal happiness or countless lives hanging in the balance.
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